The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

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I raise my hands to heaven for curiosity
I don’t know what to ask for
What has it got for me
The others say we’re hiding
It’s as forward as can be
Some things I do for money
Some things I do for free

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pour it up (datamatros remix) | rihanna

tamagotchi feat. dai burger (jesse slayter remix) | saint

gas pedal (motez edit) | sage the gemini

it feels good to be around you (feat. air france) | yumi zouma

RÜFÜS | sundream (TÂCHES remix)


bjork — isobel’s lonely heart (goldie remix)


(Source: damionxxx, via kawahineaihonua)

often (free n losh remix) | the weeknd

it feels good to be around you (feat. air france) - yumi zouma

(Source: echoclinic)

slow feat. rochelle jordan - cyril hahn